Review summary: Having not read any of the earlier Seamus McCree books, I began this one feeling somewhat disconnected from the main character. The plot was interesting, but the emotion was lacking. However, as the story progressed, the protagonist and his family came into better focus, while the action kept moving. By half way through the book I was fully engaged and by the end of the book I was ready to describe it as both entertaining and thought provoking, both heartfelt and action-filled.
Read my full review at Review: Empty Promises
I loved the unexpected ideas, the unusual perspective and the way it made me think about issues large and small. I have a fond spot for stories that give me insights into other parts of the world, and for characters who plausibly behave in ways I cannot imagine myself doing. This book has all that and more.
…. this particular passage from the author sticks with me:
But I cannot escape and leave behind reality, just like I cannot leave behind my shadow. Reality brands each of us with its indelible mark. Every era puts invisible shackles on those who have lived through it, and I can only dance in my chains.
Read my full review at Review: The Three-Body Problem.
Deep Sahara Review: This is an impressive book, but not an easy read. If a reader is willing to make the effort to flow with this unusual story, I believe they will find themselves haunted by it, in the way only a fine novel can manage. I give it a 9/10.
See Review: Deep Sahara for all my thoughts and for more information about this book.
One of my resolutions for 2018 is to review more books on my x0 blog. For these reviews, I am interested reading speculative fiction of all sorts, including science fiction and fantasy. I have a fondness for metaphysical tales and particularly like stories with a strong female protagonist. I will consider novels of almost all types that relate to the general theme of world peace.
Read about my requirements for a review, and get my contact info.
But because the stories I tell myself are never told from a single point of view for very long, how could the stories I tell others ever be? One of my greatest fascinations with a tale is how differently the events appear to various characters. So if you read something I write, be prepared to hear the plot unfold through several sets of eyes.
Read the entire post at Point of View.
(For more excerpts from my new novel visit Am I sure I’m Sherrie?, Worry about those you love and write about what you know, Cease worrying when you can and write about what you know, and The Amazing Things I Get to Do.)
Taking the time to read Charles Yu’s “How to Live Safely in a Science Fictional Universe” was a special treat for me. If I let myself read science fiction at all these days, it is flash fiction; something that won’t stick in my head while I try to finish my own science fiction novel. But I was at a retreat for three days, without computer, internet or television, and it was dark before six p.m. What was I to do? So I took peak into Minor Universe 31 and became trapped for many enjoyable hours.
Read the full review on my z2 blog at Safety in Science Fiction.
There is the wild creative hat that yields stories at traffic lights and helps me type with a manic fury when the ideas just won’t stop coming long after I should have gone to bed. I love that hat, and I wear it whenever I can. Then there is the careful, tidy little headpiece that I wear when I proofread, edit, rewrite, add links, check everything and check it twice again. What? The font for the chapter five title is twelve not fourteen point? How did this happen?
read the entire post at Wearing many hats well