I remember visiting Yellowstone as a teenager and being upset that I was not allowed to take even one tiny little insignificant rock home as a souvenir. Up to that time, I always brought a rock home from places I enjoyed. What difference could my little memento make?
Then I looked around. Thousands of people were here with me, and if I was the only one who ever took a pretty stone, there would be no problem. But what if half of them wanted rocks, too?
Read more at Leaving a Light Footprint in a Far Away Place.
(For more thoughts on Far Away Places see As Far Away Places Edge Closer, Caring About Far Away Places, The Courage to Embrace Those Far Away Places, and Those Far Away Places Could Be Next Door.)
But because the stories I tell myself are never told from a single point of view for very long, how could the stories I tell others ever be? One of my greatest fascinations with a tale is how differently the events appear to various characters. So if you read something I write, be prepared to hear the plot unfold through several sets of eyes.
Read the entire post at Point of View.
(For more excerpts from my new novel visit Am I sure I’m Sherrie?, Worry about those you love and write about what you know, Cease worrying when you can and write about what you know, and The Amazing Things I Get to Do.)
Cinnamon on oranges and cumin on boiled eggs. The inside of a walled city so confusing that it has spawned an entire cottage industry devoted to directing lost tourists. Surfer towns painted in hippie colors and seaside resorts caught in a 50’s time warp as they offer hospitality to a smattering of elderly Europeans.
None of this is what I expected when I came to Morocco.
This is a blog about predicting the future, and over the past few days I’ve been thinking a lot about the unexpected.
Read the entire post on my d4 blog at That’s Why You Make the Trip.
This is a post about Aretha Franklin and wearing a hijab and my mother’s funeral, and it comes to you from a cafe in Marrakesh Morocco.
I’m staring out the window at the crowds of tourists and locals crossing a busy street in front of the Koutoubia Mosque as I write. I’m alone in this city, far out of my comfort zone, and I’ve just ordered my first couscous. I settle into the ornate red pillows, ready for a genuine Moroccan experience, when I recognize the unmistakable voice of Aretha Franklin in the background.
Now I like Aretha as much as anyone and maybe more than most, but she is kind of getting in my way here, and it’s not even one of her better songs. I listen more closely and I feel the ghost of my mother snuggle into the pillows beside me.
Read the entire post on my c3 blog at “My Way.”
I like to find the ghosts when I travel, and learn what I can from them. They’ve always come to me, not as shivers in the nights, or flashes of fear or wails of terror. Rather they waft gently into my imagination, almost always in the daylight, often becoming characters standing in a queue in my brain, waiting to tell me their story.
The ghosts I see are often tired, sometimes sad, but seldom angry and never at me. Not once have they made me afraid. “Listen. This is how it happened,” they begin.
Read the rest of the post of my z2 blog at I See Ghosts.
The Airbnb site says my hosts at the Riad speak English, French and Spanish along with the local Arabic, but it only takes a few minutes for me to realize that the claim regarding English has been exaggerated. Lahcen, the helpful house manager who greets me, probably does know several hundred words of English, compared to my several dozen words of French and two of Arabic, but his ability to answer my questions is limited. Najet, the cook and custodian who assists him, speaks some French and no English at all. Soon the three of us are communicating with gestures, key phrases and facial expressions, and it’s not going as poorly as you might think.
Read the entire post on my X0 blog at Happy International Day of Peace, Lahcen and Najet.