Couldn’t you go research all these things and more, and not bother with the writing part, you might ask? It would be a fine question. Of course I could, but I probably wouldn’t. I’m curious about so many things, but my ability to get myself to sit down and learn about them instead of goofing off is pretty limited. Unless I’m doing it for one of my books. Then I will spend hours on it.
Read more at My Eye-opening Second Reason for Writing.
It occurred to me today, while listening to a woman describe to us how she sold her first novel to HarperCollins, that much of what writers crave to know is “what do you know now, that you wish you’d known then.” We give this advice, and we ask it of others, almost endlessly…
I can’t go back in time, any more than I can see the future, no matter how often I write about characters who can. Would I have written better books if I’d only known then what I know now? Of course I would. Hell, I’d have lived a whole better life with that kind of knowledge.
Read more at If I’d only known then …
I knew I didn’t want the image of Teddie, my hero, to be a photo. This was a book about out of body experiences, and a clear likeness seemed too stark. I wanted something vague, more like a sketch. She had to be young, dark-haired, and there had to be green involved. I didn’t expect a lot of results when I combined all these search parameters, and I didn’t get them. However, the one image I got had potential.
Read more at Designing your own book cover, part 4.
(For more on this topic see Designing your own book cover, part 1, part 2 and part 3.)
To the right is one of the many iterations of the d4 cover that was not used. This one featured a wave inspired by the excerpt below, but although the wave lasted in my memory, the cover didn’t make the final cut.
It was the most likely and the least messy alternative. As she realized that, it became a near certainty, and then the wave of time washed over the moment and the soon-to-happen became the now and it then it became the past.
I like the lightening bolts and clouds, but the eye in the sky was a bit much. Jen at Mother Spider and I struggled with this cover almost as much as we did with the cover for z2.
Read more at When the future becomes the past.
I was sort of like someone who wants to fire a few BB’s at a squirrel to scare it off the lawn and gets handed an AK-47. Before I knew it, I had dozens if not hundreds of relevant images and so many cover ideas that my head hurt. Take a look at a couple of the wild combinations…
I had to make a decision. I picked something that I thought would please everyone a little and my novel first appeared with the cover below.
It took me no more than a few days to accept that I did not particularly like it.
Read more at Designing your own book cover, part 3.
(For more on this topic see Designing your own book cover, part 1 and Designing your own book cover, part 2.)
It was time to contact the graphics people at Mother Spider, and see if the same magic could be performed on this cover that had happened with my first book, xo. I explained to Jennifer, the owner of Mother Spider, that the novel was about the grown-up adventures of a boy who had once taught himself to shift his appearance while watching his pet chameleon. I had to have the boat, the sunset, the fire-dancing imagery, at least one chameleon and an orange cover.
“We’ll see,” was all she said.
Read more at Designing your own book cover, part 2
(For more on this topic see Designing your own book cover, part 1 and Designing your own book cover, part 3.)
But wanting to do something and knowing how to do it well are two different things, as you can tell by looking at my first version of the cover to the right. I knew my book needed to be red …
Read more at Designing your own book cover, part 1.
(For more on this topic see Designing your own book cover, part 2 and Designing your own book cover, part 3)