I’ve been a feminist since I was a teenager; longer than that if you consider wanting to be the chief science officer on the star ship Enterprise as a sign of early feminism. And yet, like other like-minded authors of speculative fiction, I struggle with feminism in my writing.
Read the entire post at Am I writing sexist science fiction?
Taking the time to read Charles Yu’s “How to Live Safely in a Science Fictional Universe” was a special treat for me. If I let myself read science fiction at all these days, it is flash fiction; something that won’t stick in my head while I try to finish my own science fiction novel. But I was at a retreat for three days, without computer, internet or television, and it was dark before six p.m. What was I to do? So I took peak into Minor Universe 31 and became trapped for many enjoyable hours.
Read the full review on my z2 blog at Safety in Science Fiction.
I am fascinated by mountain climbing, even though I have never done more than hike to the top of a mountain with a good trail. You can’t pack everything that intrigues you into one life, and this is something that didn’t make it into mine. So when I had the chance to climb a major peak in the Himalayas, in my imagination, along side my character Haley, I welcomed it and relished the research that went with it.
Read the entire post on my c3 blog at “Everest” and “Into Thin Air” and armchair mountaineering
I am learning more about the concept of privilege — white, male, western, hetero, cis, wealthy, healthy, pretty, young — there are a lot of variations here — but the concept that I am ordained by God or nature to be better than you seems to hold the key to failing to care about you at all. Why wouldn’t a human who is certain of his (or her) greater importance be deaf to the pain of those lesser? Might they just find it annoying? I think it depends on exactly how superior these people think they are. Maybe if they had a superpower, like telepathy …..
Read the entire post on my x0 blog at Back to Building a World of Telepaths
Ariel, the hero of d4, lived in my head for years and I knew what she could do. She could see into the future. It wasn’t until I began writing her story, however, that I realized how complicated the very idea of precognition is.
I’d already given serious thought to the pros and cons of a fixed future, and I’d thrown out the idea of a predestined universe. Over my adult life I’ve heard compelling arguments that in a universe ruled by cause and effect, the future is as immutable as the past. Perhaps it is. But as long as I’m writing the book, there are going to be surprises and free will in the story, and any bits of prescience will work on the assumption that the future is a probability curve. Guess you could say I can’t write stories any other way.
But it turns out that there are many more vexing questions to consider. How far into the future does she see? Why? How much does she understand about what she sees? Why doesn’t the whole process happen all the time and leave her overwhelmed and unable to function?
Read the rest of this post at Seeing the Future.