When I first wrote One of One (called x0 at the time) I was obsessed with giving form to my mental picture of Lola, the main character. I wished I could draw well enough to show the world how she looked. I can’t, so I scoured Shutterstock for artists images that captured what I was seeing in my mind. These were some of my favorites.
Read more at How does she really look?
Then, someone pointed snag number two out to me. They thought Cillian, who is supposed to be in his forties, looked a little too old and could even be mistaken for Ariel’s father Alex, who is in his fifties. At first I didn’t think so, but upon reflection I saw the vague resemblance.
Read the end of the cover saga for the fifth book at The fifth one
There was the first rush of panic, followed by a whoosh of tummy tickling pleasure, then a sadness to have it end, probably 30 seconds or so after it started. It was usually followed by an irrational desire to get in line and do it again.
It’s been a while since I’ve done that, but the past three months have had a similar feel. With each new novel I’ve released, the level of complexity of the tasks has increased, making each slide seem higher and feel more twisty.
Read more about Coming down the slide in 10 days.
Do you get what you want, or do you get what you need?
I had a spirited discussion about this once with a psychologist. I was praising the wisdom of the Rolling Stones; she was sharing her professional observations. We were at a party and it was lucky no nearby cynic entered the conversation arguing people don’t get either.
It is a conundrum, though, isn’t it. You ask for something you think you want, only to discover….
Read the latest update on the saga of the search for the perfect cover at Watch what you ask for.
Note the story ended well. I’m delighted with the final cover, shown here.
I’m also particularly pleased with the title of this one, and the way the fine people at Deranged Doctor Design added light to represent what Teddie insists on calling the world of mist.
Now, my job is to make sure the story itself is worthy of all this.
Read more at A New Look.
I struggled for weeks with the cover of Twists of Time, the third book I am re-releasing. It’s done now and slated to be out mid-March, but it wasn’t a pretty process. Below is the post I wrote when I was trying to decide if I should give up and accept a cover I didn’t particularly like.
In the end, I chose to pay the designers for a redo, and I’m already so glad.
I’m a perfectionist, at least about the things that matter to me, and my books matter to me a lot. I’m also a people pleaser. I hate to be a pest. The result is I tend to say I’m okay with something, when I’m really not.
You can see how these two impulses could combine to cause a problem.
Final version after the redo
Read the full story at All Done and I’m Still Not Sure
Then my husband, supporter of my writing and all around good-guy, decides he’s going to read my books aloud so I can have audio books and he’s starting today. Wow. At first blush, this seems great. He knows the books. He has this deep, rich voice, honed from years in a classroom. And, he’s free. I mean, he has the time, but more importantly, he doesn’t cost anything. Narrators are expensive.
Read more at The Sound of a Story.
You know, get rid of some of those lingering adverbs. Reduce the he saids, and make the he pondereds, he chuckleds and he exclaimeds go almost completely away.
She has been doing that, and found more than I expected, but that wasn’t enough. She’s decided to look at every sentence and demand to know what it is doing in my book. Does this matter? Who cares about this? Why is this in here?
Read more at Bitchy Editor says this is it!