I knew I didn’t want the image of Teddie, my hero, to be a photo. This was a book about out of body experiences, and a clear likeness seemed too stark. I wanted something vague, more like a sketch. She had to be young, dark-haired, and there had to be green involved. I didn’t expect a lot of results when I combined all these search parameters, and I didn’t get them. However, the one image I got had potential.
Read more at Designing your own book cover, part 4.
(For more on this topic see Designing your own book cover, part 1, part 2 and part 3.)
Last week, I crawled out of my own brain to fulfill a childhood fantasy in real life. I started a club, or, to be more precise, a Meetup group.
Now, I’m not a particularly social person, but I recognize that writing is an almost brutally solitary activity and contact with other writers helps maintain perspective and promote sanity.
Read more at I started a club!
Now that I’m taking a little break from writing while my new hero and her upcoming adventures develop in my head, I’m making an effort to reach out and reacquaint myself with that concept of interaction. I’m starting off by committing to review a book a month. That’s not a lot, but I hope it will be enough to keep that outward focus alive.
Opportunities to review books are endless, so it is hard to know where to start. I turned to Goddess Fish Promotions, the PR site that has done a fine job of handling the blog tour for my own book’s release. I picked the first book that intrigued me and signed up to do a review.
See my thoughts about Deep Sahara by Leslie Croxford on February 7 on my blog Face Painting for World Peace. Read more about my plan to review a book a month at Look up for a minute.
To the right is one of the many iterations of the d4 cover that was not used. This one featured a wave inspired by the excerpt below, but although the wave lasted in my memory, the cover didn’t make the final cut.
It was the most likely and the least messy alternative. As she realized that, it became a near certainty, and then the wave of time washed over the moment and the soon-to-happen became the now and it then it became the past.
I like the lightening bolts and clouds, but the eye in the sky was a bit much. Jen at Mother Spider and I struggled with this cover almost as much as we did with the cover for z2.
Read more at When the future becomes the past.
I was sort of like someone who wants to fire a few BB’s at a squirrel to scare it off the lawn and gets handed an AK-47. Before I knew it, I had dozens if not hundreds of relevant images and so many cover ideas that my head hurt. Take a look at a couple of the wild combinations…
I had to make a decision. I picked something that I thought would please everyone a little and my novel first appeared with the cover below.
It took me no more than a few days to accept that I did not particularly like it.
Read more at Designing your own book cover, part 3.
(For more on this topic see Designing your own book cover, part 1 and Designing your own book cover, part 2.)
It was time to contact the graphics people at Mother Spider, and see if the same magic could be performed on this cover that had happened with my first book, xo. I explained to Jennifer, the owner of Mother Spider, that the novel was about the grown-up adventures of a boy who had once taught himself to shift his appearance while watching his pet chameleon. I had to have the boat, the sunset, the fire-dancing imagery, at least one chameleon and an orange cover.
“We’ll see,” was all she said.
Read more at Designing your own book cover, part 2
(For more on this topic see Designing your own book cover, part 1 and Designing your own book cover, part 3.)
But wanting to do something and knowing how to do it well are two different things, as you can tell by looking at my first version of the cover to the right. I knew my book needed to be red …
Read more at Designing your own book cover, part 1.
(For more on this topic see Designing your own book cover, part 2 and Designing your own book cover, part 3)